Objects presented as part of SUMMER ON MARS explore therelationship between the organic and the constructed, developing apost-anthropocentric perspective. Light functions here as a primarymaterial - its diffusion, reflection, and temperature shape not onlyform, but above all the way space is perceived.
In works such as Planet of Dew and Planet of Mist, ephemeral atmospheric phenomena are captured within glass structuresset on raw aluminum forms. These objects operate through tensionbetween delicacy and construction, evoking a suspended, transitionalstate - like a morning that is just beginning to take shape. In PostHorizon and Fieldless, geometry dissolves under theinfluence of light, and the boundaries of form become fluid andambiguous.
Eternal Orchard extends the relationship between nature andtechnology through the use of a biodegradable material developed incollaboration with the team at Bialystok University of Technology.The object functions as a hybrid - both structure and process, formand potential transformation. In Water Discovery, the presenceof water is suggested through the organic structure of the tabletop,which appears to be in motion despite its static state - a form basedon inference rather than direct representation.
The collection concludes with Superorganism - a reliefreferencing systems composed of multiple interdependent elementsforming a single, dynamic whole. All objects function as elements ofan environment rather than autonomous pieces - forms that exist inrelation, shifting with perception and context. The project was presented as part of SUMMER ON MARS duringMilan Design Week 2026 at Alcova, in collaboration with Mati Sipiora.
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